Hey guys!
Just a quick question RE: shoulder movement. I’m in the middle of a practise session, working on some string skipping ideas (including some “economy skipping” - more on that later!) and I’ve noticed the best way to make it all work is with quite an active shoulder; something that I don’t notice when playing on adjacent strings.
How active is your shoulder during string tracking? How about when you’re doing crosspicking?
Thanks!
Nick.