I’d love to take credit for it, but really this isn’t anything I’ve consciously developed over the years. So, um, my sub-conscious says “you’re welcome,” I guess, lol.
I’ll spend some time trying to figure out the supination part of the movement and dig into the Andy Wood stuff over the next couple weeks, and see if I can bring this from something that works “well enough” to a clean, accurate, and precice mechanic.
In the meantime, just as DWPS lends itself to certain approaches, UWPS others, TWPS still others… do either you or Andy (or Steve Morse or any of the other cross pickers you’ve talked to) really get into things that crosspicking lends itself more naturally for? I mean, the single-note-per-string stuff is pretty clearly far easier with a crosspicking approach than anything else, so that’s a no brainer to focus on… But one of the reocurring themes of CtC is how a lot of the elite level pickers got there by focusing on the strengths of their technique, so I’d think a next step for me after I iron out some of the kinks are trying to figure out how I could best play to my strengths.
(The embarrassing part of all of this, of course, is the videos up top of are me TRYING to DWPS, haha)