Behind Bars is the most-referenced work among engravers—ie people who prepare notation for publication. Might be overkill. The price alone has put me off of it.
Berklee Contemporary Music Notation by Jonathan Feist is also quite good, especially if you’re somewhat new to notation.
Only caveat there is that it uses Berklee’s method for chord symbols, which is stupid and definitely not the standard. (For example, they don’t write “D9”… they write “D7(9)”.
)
For me personally, the biggest improvements have come from personal feedback on my charts. For the first decade, I would ask a couple trusted friends/experts to nitpick my work.
And these days whenever I arrange/notate a project, I ask the players to send me their marked up charts afterwards. Really allows you to empathize better with people who play different instruments and better serve them next time.