Does anyone ever get stressed playing guitar?

Does anyone here stress over guitar? I think one of my biggest pitfalls is not technique. It’s the mental game. I made guitar my career by teaching and playing music for a living. And sometimes the self imposed need to get better causes me a lot of stress. So much so that sometimes I cannot play guitar without holding my breath, or tensing my shoulders, etc. Sometimes I get so anxious that I cannot play even simple cowboy chords. And despite playing 1000s of gigs, I still get nervous and sometimes intimidated of other players. Imposter syndrome. I hold my breath A LOT during difficult passages when performing and practicing. And many times I’m battling mental interference on stage while playing.

Any of you guys/gals struggle with this?

Anyone relate? Anyone have tips on how the overcome the mental game?

Ps, I would love to see some more esoteric practice strategies like this covered in Cracking the Code.

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First post here, but I’d like to give my input.

Anytime I’ve started to feel like that, I remind myself of why I started playing in the first place - because it is fun and makes me happy. When I didn’t have any idea of sizing myself up to others, I just learned / practiced the things I wanted to learn.

Fast forward to post music degree, I lost the essence of what drove me in the beginning. I stopped listening to the music I used to love because my ear had developed and it felt elementary in comparison to all the jazz and fusion I discovered. It felt empty at that point.

All the gigs where I got stressed about my playing and various others things - yeah, sometimes people broke balls, but a lot of the time no one really cared either way. Mind you, the people who poked at me in jest were always musicians, big fish in small pond types. You know what though? They had their crap nights too. No one is perfect and they’re delusional if they think other wise. They all had rude awakenings when they tried integrating into larger cities and the playing field was leveled.

As far as performance anxiety goes, I actually encourage myself to screw up sooner rather than later because I can only go up from there. Kind of like getting a new car and counting the days until you get your first ding. I’ve had some pretty humiliating gigs early on, but life goes on. I don’t think about whether the previous/following band in the lineup are technically better than me. At the end of the day, there are things they can do that I can’t, but the same also goes for them. I try to take those situations for what they are - being up in front of people, so I’m going to fake acting like I belong up there rather than succumbing to myself. It’s never easy, but I stay out of my head and focus on what’s in front of me.

Playing and teaching is your livelihood, so I realize there may be pressure to push yourself for the benefit of your business. You’ve clearly made it this far though, so you’re definitely doing something right. Maybe try shifting your mental state in regards to wanting to push your limits - it can be exciting to make something out of nothing and share those findings with your students vs feeling like you have to get better, or else.

For the issues with breathing and tensing up, it seems you’ve done most of the homework with that in that you know that it’s happening. I had those issues too, so now that the lick was under my fingers I made myself go back and practice it without tensing or holding my breath. At that point it is just fine tuning it. Maybe I’m being captain obvious, but I dedicate parts of my practice session for bodily self awareness (tensing) and holding my breath. Is my neck sideways? Is my right shoulder tense? It’s difficult, but for me just putting time aside for that stuff has done wonders. “Correct” posture and what not may feel foreign at first, but you have to force yourself to relax haha.

I hope some of that makes sense / helps. This happens to the best of us. To reiterate, try to always remind yourself why you bothered to pick this up in the first place - because it felt good and makes you happy (I hope!).

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Great response. I appreciate it.

You’re experience sounds similar to mine. I grew up enthralled with all the rock and metal guitar heroes - Petrucci and Vai and Romeo and Satch and so on. I was in an original prog metal band and gave it all up to go to music conservatory. Studied jazz and classical. I live outside of New Orleans so if you’re gonna be a jazz player in the birthplace of it all, you better have your shit together or someone is gonna roll you hard. The thought of that was very intimidating, and although I LOVE jazz, I had to remind myself of why I picked up guitar in the first place. I had to remind myself of what it felt like to see Steve Vai’s opening solo before For the Love of God on the '97 G3 DVD. And I came to the realization that rock and metal is what makes me happy. I can play jazz on a competent level and I very much enjoy it. But I realized the only real reason I was pursuing playing jazz was to better my career. And that’s not a good reason to practice anything.

I have always found that being aware of an issue is generally enough to work itself out. Breathing is a tricky thing to work on for me (and other humans I suppose lol) because it should be natural and involuntary. So when I think about breathing, it makes me actually tense up even more because it feels very unnatural. But that is a good idea to specifically practice relaxation and breathing. I usually set an interval timer to very small blocks of time (5:00) to work on different techniques or licks or songs. I will try using an interval just for breathing and relaxing.

And you’re right, at the end of the day we have to keep it in the forefront of our minds that we do this because we love it. Nothing more. Nothing less. Not to get famous. Or to be the best. Or to get discovered. Or whatever. It’s easily forgotten sometimes when you make your passion your career. Thanks for the cool words.

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I had the same thing with Vai early on, except it was the Live in Astoria DVD. I watched that one countless times.

New Orleans - now I see what the stress is about! I’m glad you found your way back to your roots, same thing happened with me. Don’t get me wrong, I like Jazz here and there, but I came full circle and it’s brought the fun factor back with playing in a big way. If I could go back and talk to my Jazz phase version of myself, I’d tell him I now play 9’s on a Charvel San Dimas. He would laugh me out of the room, but here we are :joy:.

I hope the bodily awareness practice works out. It took me some time, but now taking that inventory throughout a practice session is second nature (since I will still occasionally tense up).

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Greetings from Colorado - I absolutely feel your sentiment. I had the mental game get a one up on me during a recent gig. When you are playing gigs regularly things become second nature but my band has had very sporadic gigs over the last year so the material isn’t as familiar sometimes. Most of the time muscle memory kicks in and sometimes it’s like watching it unfold instead of playing the part.

This past Friday I had a part coming up that in my head I couldn’t remember the specifics… In the past this has happened as well. but I don’t give it too much attention and my hands seem to figure out the part. In this particular case I didn’t let it go and kept worrying about it to the point that when the time came I waffled the part… to make matters worse it was a pretty exposed section. I made sure to breathe easy though and thank god I wasn’t performing open heart surgery. Perspective is important.

It was yet another reminder to myself that overthinking can be one of our biggest enemies when playing… I think rather than thinking - hearing the part in your head/playing the song in your head helps me more.

Definitely an interesting and important topic in my opinion though.

Dave

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