…until I figure out how to get the pick to pass through the string smoothly on both the downstroke and the upstroke. The downstroke is never a problem, but the upstroke is a problem.
The string acts as resistance. I got to minimize or get rid of that resistance.
I’ve even tried different picks. Years and years ago I used to play with .46mm believe it or not. Thick picks felt bad to me. But back then I wasn’t that interested in playing some shred-like passages either.
It’s strange. There are times during my practice that I can take one string and play just 3 notes on it, like down-up-down and make it sound really good, and I can hear all three pickstrokes.
But if I try to expand upon that and use two or three strings it all goes downhill.
The fact that I can take just one string and play three notes and hear all three notes being picked kinda tells me that I have it in me. I have what it takes to do it.
But it’s really hard to expand upon that.