Minimal pickslanting appeals to me, since I feel pretty inept when actually having to play with UWPS. I’m significantly less coordinated, and have worse technique than when I’m doing DWPS, and as mentioned in a previous thread, I think that my lack of coordination while doing UWPS is slowing me down significantly. However, I’m not sure I could get away with minimal pickslanting in all scenarios. For example:
This sort of mix of scales, pentatonics, and chromaticism that all still fits well within pentatonic boxes is typical of the sort of thing I tend to improvise.
For this lick, if you did the first 3 notes on the low E string with DWPS, you’d rotate on the 3rd note (the C) to prep for the string change. Wheras with minimal pickslanting, you’d want to rotate back to DWPS on the next note, the D on the A string, it doesn’t seem to make sense to actually do that, since you’d need to just rotate back on the next note, the E on the A string.
Same thing goes for pentatonic runs like this:
I’m not sure if I’d just have to suck it up and use UWPS when I encounter licks with only 2 notes per string. But if there were a way to use minimal pickslanting to do this, I believe I’d be able to play much cleaner and faster. Any ideas?