Is this a misguided concept?

I’m a total believer that the old school, “start slow and work your way up” way of using a metronome won’t ever build speed. But is there any harm in trying to find a bpm number (verified by Magnet footage) that is both:

  • Fast enough to prevent string hopping — above “Warp Three” and therefore ingraining efficient motions, firing antagonistic muscle groups in a proper alternating “push” and “pull” a la @Tom_Gilroy, etc., but also

  • Slow enough in that “Warp Three” range as possible to give my left hand a chance to start locking in with the rudiments I’m learning in Synchronicity.

My thought is that once I’ve found a natural easy tremolo at [X] bpm that’s too fast to be string hopping, it might be safe to bring in the metronome again to help connect the hands. And if I can find [X] towards the lower end of my Warp Three range, then maybe I can get some easier early wins in terms of left hand sync.

So, what do you think: any danger in trying to put a bpm number on your individual Warp Three speed?

I do this and it helps me!

However, for different lines that number might be different. For me, I find 16ths at 150bpm (sextuplets at 100) is right on the cusp.

Awesome, thanks! And by “on the cusp,” do you mean being on the verge of so slow that it’s possible for you to start string hopping again? (That’s my biggest problem – long ingrained habit, and I’m having to take real steps to keep it from creeping back in…)

hm. maybe. More like it’s the slowest speed where I feel like I can’t stringhop.

1 Like

No need for metronome as explained in Synchronicity: you need internal sync before focusing on external sync like a metronome. You may need to go a bit slower with picking to have accents and hand sync chunking as seminar explains.

Going into seminar material: how are accents on eighths and sextuplets? This is the start of your sync work-counting tremolo. Are you getting 3s, rolling fours or Yngwie 6s synced? Is fretting hand the issue? Review latest Synchronicity chapters to test.