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Molly Tuttle’s prodigious songwriting chops, ethereal voice, and physical command of the guitar make her one of the most exciting new players in bluegrass. She’s the International Bluegrass Music Association’s Guitar Player of the Year for 2017. And she is the subject of the latest Masters in Mechanics interview here at Cracking the Code.
If you’ve seen Molly play, then you’re already familiar with her unstoppable flatpicking chops. Like many of the greats, from Tony Rice to Eddie Van Halen, Molly’s technique is really several techniques in one: it’s an anchored upward pickslanting technique, an anchored pronated crosspicking technique, a floating forearm rotation rhythm technique, and different combinations of the above postures with sophisticated thumb/index articulation thrown in for extra string-switching dexterity. That she switch instantly between all these approaches, while singing, is nothing short of amazing.
In the interview, we cover flat pick rudiments and roll patterns, gymnastic bass/chord rhythm techniques, and take a quick look at her very cool banjo-inspired clawhammer fingerstyle technique on her original tune Save This Heart. We talk about fretboard mapping for playing through the changes, and discuss how her time at the Berklee College of Music helped her polish all these abilities.
Watch the complete Molly Tuttle Interview right here, on the Cracking the Code platform, with full Soundslice and interactive timeline functionality.
Or head over to our download store and grab your own copy. Either way, we’d like to thank you for watching. And of course, we’d like to thank Molly for being so generous with her time and so open about her artistry.
