Look at this gobshite quoting his own comments…
My girlfriend and I went to see Steve Vai on Friday. My girlfriend is a fan of Steve’s music and she has a little crush on him (his younger self at least). Going to the concert was her idea, and the tickets were a birthday present to her.
The band played a mix of material from Steve’s new album and some older tunes. I was a little surprised how little time Steve spent talking to the crowd and that he didn’t sing at all. I was also surprised by the variety of guitars he played: JEMs, PIAs, UVs, a JEM with singlecoils like a Strat and even an Ibanez semi-hollow guitar. He didn’t bring the Hydra on tour.
Honestly, I thought Steve was on form and the band was very tight. Despite having been a Vai fan since my early teens, I was honestly stunned by how unique and distinctive his playing is. His tone, his note choice and phrasing, everything. If you had recorded any ten seconds of his playing over the course of the gig and played them back, I’d have instantly known it was Vai. If anything sounded cliché it’s because people have been trying to imitate him for 35 years.
I saw Steve in 2005 on the Real Illusions tour and I met him and the band after the show. I was 16 years old. It was never going to be the same experience seeing him perform at this stage of my life, and we decided not to wait about after the show to try to meet Steve and the band.
As much as Vai’s music has meant to me, in particular when I was young, I have always struggled with the idea of adopting elements of his style and phrasing. I’ve always felt that much of his style was at odds with my other favourite players who are more recognizable influences in my playing. I’ve also felt that the exhibitionist style is a natural fit with his extroverted perfomance persona, but that those elements could feel forced or awkward from somebody who is much more introverted like myself. So much of the time I’ve just felt silly trying to imitate him.
Seeing him perform again has reminded me of how impactful his playing was on my younger self. It has made me wonder if I might now, as a more mature person with a better understanding of myself and my playing, be able to incorporate some elements of his style and phrasing into my playing in a way that’s recognizable, but more subtle. I still have my Ibanez JEM7VWH not fifteen feet away, after all.