Hey! So, that’s a little too fast - I think around 190bpm? I know it’s tempting to want to hit the gas, but I specifically recommended 140-150bpm 16th notes because it’s (A) fast enough that you can’t do an inefficient technique like Stringhopping, but also (B) slow enough that can experiment with the technique and exaggerate the size of the motion, to clearly see whether it’s USX or DSX. It’s gotta be that medium-fast, 140-150bpm range.
My instructions probably weren’t very clear, so I made a quick video to demonstrate what I’m talking about.
See how, when I do the motion small, it’s hard to tell if it’s USX or DSX? But, when I do the motion big, it becomes very clear that it’s a USX motion? It’s very clearly going out, into the air, after upstrokes? That’s what I’m describing. If you exaggerate the size of the motion, at a medium speed, that should tell you if it’s USX or DSX or trapped or DBX.
It also has the added benefit of making the nature of the motion more clear (ie what joints and muscles it’s using). When I do it small, it’s hard to tell if it’s wrist or forearm or what. But, when I do it big, you can see that it’s a Dart-Thrower style wrist motion.
So, take the faster motion you were doing above, set the metronome to 140 or 150, and make that motion bigger and bigger until you start hitting (or clearing over) other strings.
Again though, if you have an open TC with Troy I’m gonna say you should stick with that, I don’t want to give any conflicting advice or steer you in the wrong direction! Too many cooks in the kitchen, etc.