Hi all: I am trying to figure out my primary motion and I am thinking that I am a DSX player. However, I noticed a lot of the players that I like are USX players. In order to play their licks do I just start them with an upstroke instead of a downstroke? That way, I switch strings on each downstroke? thanks so much!
Hey!
That will work for a lot of things while other licks may need reconfiguring. @adamprzezdziecki has an invaluable video on demonstrating his DSX approach to common pentatonic phrases that would be a great way to get started
Answer is yes, with two caveats off the top of my head, though there are likely more:
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USX will lend itself to ascending sweeps. If there are ascending sweeps in the phrase, making it work with DSX will require more than flipping the strokes, as obviously you can’t really do an ascending ‘sweep’ with upstrokes.
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A lot of players build up some comfort with a rhythmic orientation of alternate picking; more or less, downbeats are played with downstrokes and upbeats are played with upstrokes. If you’re somebody that has this ingrained, it’ll be a bit of an adjustment to ‘flip’ this orientation. If that’s not how you’ve done things, disregard this comment.
Ok good to know! Thanks Jake
An example of translating this kind of USX line to DSX:
That’s what I do very often, odd number of notes starting on a down on the first string and even nps on every other string. Blitzkrieg would be another example.
https://www.instagram.com/p/CcfPyYEKDpB/
Yngwie plays it using economy (3 + 3 + 2), we can refinger that to be 3 + 4 + 1 and it works very well. I also play stuff like U - D - hammer, usually squuezed somewhere between all-picked fragments in a way that you can’t really hear it. I used to play the intro to Blitzkrieg using the same fingering as Yngwie, doing D U D on A, D U hammer on D and U D on G.
The ascending harmonic minor run at 0:31 in the Blitzkrieg video is also a cool example, it’s 3 + 2 + 4 + 3.
So it sounds like incorporating a tactical hammer on will allow you to fill in the gaps so you switch strings on a downstroke. Thanks for your insight Adam and great playing!